Introducing "Song Editor" for MRS-1266


The Zoom MRS-1266 sets
your ideas free.

THE EVOLUTION OF RECORDING



The new MRS-1266 Recorder from Zoom is so powerful and easy to use
that with a little practice any musician can become a composer, engineer, and producer.
With the 1266's digital audio quality and an incredible array of recording tools,
anyone can now create professional-quality recordings with just one incredible machine.

VAMSFAST


Multi Trrack Recorder
 
  • The ultimate all-in-one studio
  •  
       

    It's like having a professional recording studio on your desk. The MRS-1266 has ten independent tracks plus a stereo Master channel. It has a full-function mixer section, programmable drum and bass machines, a huge array of effects and an optional CD burner for final cuts. When inspiration strikes, you have all the tools you need to record, edit, mix and master your compositions. With 44.1 kHz sampling, 16-bit linear un-compressed data, 24-bit A/D D/A conversion and 24-bit processing, you are building songs on a professional level digital foundation.

     
     
  • 10 physical tracks x 10 V-takes = 100 tracks
  •  
        Not even the pros get every track right the first time. With 10 Virtual "V-Takes" per channel, you get 10 chances per track to get it right. Select the best take from several sessions, choose a favorite set of effect and rhythm variations, and combine them for a final mix. With a 20 GB hard drive, you can record up to 60 hours of music, up to 1,000 songs or "projects," use all your V-Takes and still have memory left over.  
     
  • 6-track simultaneous recording
  •  
        For live recording, the MRS-1266 offers all-new flexibility. With 6 channel simultaneous input capability you can mic a rehearsal or performance with up to six microphones. Using virtual tracks, you can record 10 takes with a guide rhythm, and then pick the best take for each instrument for the final mix. Vocal groups can be evaluated objectively when they record on separate tracks. Elaborate drum and percussion recordings can be made. Record drums like the studio pros using six microphones, and mix them down to a stereo drum track.  
     
  • Track edit
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        Mess up a guitar solo? Flub the lyrics? No problem. Simply use the punch in/out to fix your mistakes. Specify precise start and end points using the Scrub and Preview functions, practice the lead using the rehearsal function, then hit record. You can compare your takes before and after, using the Capture and Swap function. If you are running out of tracks, "Bounce" everything to one empty track. Because it's digital audio, you won't lose any sound quality. Combine usable portions of a different takes, Copy/ Erase/ Exchange whole tracks, and Copy/ Move/ Erase/ Reverse just a specified part of track.  
     
  • Phrase loop
  •  
        With the optional CD-R/RW drive, you can import sample phrases from pre-recorded drum beat or sound sample CD-ROMs. Store up to 100 phrases per project. Cut and paste to create loops. Specify the start point, number of measures, end point and sound level, and you can modify the length of a phrase without changing the pitch. Thanks to Zoom's various editing features, you can drop loops in and out of songs quickly and easily.  
       
    *The pre-loaded phrase samples have been supplied by Big Fish Audio.
     More about Big Fish Audio --> Click Here
     

    CD Burner
     
  • Built-in CD-R/RW drive
  •  
        The MRS-1266 CD comes equipped with a reliable, high performance CD-R/RW drive. Master and burn your own CD, or backup and restore project data. If you want to backup your entire internal hard drive, multiple disc saves can be accomplished. The CD-R/RW also allows you to import WAV/AIFF data from sample collection CDs or import audio from standard music CDs. A standard CD player function is also built-in. The 1266 is also available without the drive, and the CD-02 CD-R/RW drive is available as an optional accessory.  
       
    CD - 02[OPTION]
    CD-R/RW Drive
    *ATAPI / 5inch bay type,
    Buffer Under-run Error Protection Supported.
    CD-01
     

    Mixer
     
  • 13 track playback
  •  
        Up to 13 tracks can be played back simultaneously, including 10 audio tracks, stereo drums, and a mono bass track. Track 1-8 has independent faders, track 9-10 are linked to one stereo fader. Two more faders are dedicated to drum and bass. Track parameters such as EQ and effect send level can be adjusted for stereo linked odd and even tracks, which correspond to a stereo source such as an external synthesizer.  
    mixer
     
  • Track parameters
  •  
       

    Each track has parameters including a two band (variable frequency) EQ, a Chorus/Delay send level, Reverb send level, and L/R Pan controls. Pressing the solo switch will mute all other tracks except the specified one track.

     
     
  • Transport
  •  
        You can put up to 100 locate markers in a song or "project." The Scrub/Preview function is a tool for locating a precise mark point on a track. The A-B repeat lets you repeat a desired section of a project easily, for rehearsing that tricky Punch In/Out.  
     
  • Scene memory
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    Automation used to be a tool found only in high-end studios. Not anymore. Save your fader positions, effects patches, send-return effects and key status as a "Scene". Up to 100 scene settings can be stored for one project. Call them up anytime to compare and contrast. Or assign different scenes to different location markers in your project. The MRS-1266 will automatically switch levels and effects within your song during playback or mix-down.

     

    Multi Effects
     
  • Insert effects
  •  
        The MRS-1266 comes with an awesome array of built-in effects. They are sub-divided into five major categories, or "algorithms": Guitar/bass, Microphone, Line, Dual input(i.e. guitar and vocal mic) and Mastering. Each algorithm is built from four major effect modules (compressor, pre-amp/drive, equalizer and modulation/delay). 94 different effects are selectable beyond that. Six effect types can be used simultaneously, and saved as effect "patches". Up to 280 patches can be stored for each project. You can insert your effects at different points in the signal path: at instrument level, track level or master track level. This gives you the option to record 'dry' and adjust the effect type and depth after recording. By using dual algorithms, you can simultaneously insert different effects on instrument combinations such as guitar + mic, mic + mic, or guitar + bass.  
    effect
     
  • Send / Return effects
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        Send/Return allows you add an effect to all your tracks. All the effect algorithms, plus 30 pre-set effect patches are included so that any kind of hall, room, or studio sound can be simulated.  
     
  • Mastering effects
  •  
        Mastering is the key to making a professional-sounding recording. By using the MRS-1266's mastering effects, such as a 3-band Compressor, 3-band EQ, a Normalizer, Dimension, Lo-Fi, and Resonance, you can add flavor and sound pressure to a master track that has been mixed down to stereo. These effects can also be routed as insert effects on each track.  
     
  • VAMS
  •  
        (Variable Architecture Modeling System)refers to ZOOM's amplifier modeling system. It accurately simulates the sound of classic amplifiers and cabinets. This hybrid analog / digital processing allows you to plug in a guitar, bass or any other instrument direct, and get a rich, accurate amp tone without having to mic a real cabinet.  
     
  • Auto Chromatic Tuner
  •  
        A riff that is out-of-tune can't be fixed later--no matter how hard you try. The MRS-1266 has a built-in bypass line tuner that quickly and easily tunes you up.  

    Drum & Bass
     
  • Create rhythm and audio tracks interactively
  •  
       

    It's tough to lay down a final drum track before you work out your melodies. With the MRS-1266, you create a temporary rhythm guide by choosing from the library of 400 factory preset patterns, and setting the tempo. Then specify a bass chord progression, and start recording your ideas. Once you have nailed a few tracks, you can fine-tune the rhythm tracks. Also, by importing SMF (Standard Midi File), you can use a variety of existing rhythm patterns.

     
    rhythm
     
  • Zoom's exclusive "FAST" rhythm programming
  •  
        (Formula Assisted Song Translator)is a brand-new programming method for building rhythm patterns and structuring your songs. Pattern information can be entered like an algebraic equation. After assigning numbers to different rhythm patterns, you simply input an equation. For example, "1+ ( 2 x 8 + 3 x 8 + 4 x 8 + 5 x 8 ) x 3 + 6," is a song that starts with an introduction ( 1 ) , repeats the song pattern ( 2 x 8 + 3 x 8 + 4 x 8 + 5 x 8 ) three times, and finishes with an ending pattern ( 6 ) . Once you have built a song using FAST, it is simple to add or remove sections, cut, insert, change tempo information, and otherwise edit the rhythm portion of your composition.  
     
  • 12-key touch sensitive pad bank
  •  
        Up to 10 songs -drum and bass patterns- can be stored in one project, and different rhythm arrangements can be assigned to each of the 10 V-Takes. You can choose step or real-time recording for creating original patterns; up to 20,000 steps/events can be recorded. With either method, the 12 key (full chromatic scale) pad bank makes recording drum or bass patterns easy. And with variable sensitivity, your playing sounds even more real.  
     
  • The best electronic drum & bass sounds anywhere
  •  
        Zoom has been making drum machines for years, and they are well known for having the best electronic drum sounds in the business. 127 drum sounds have been recorded as 16-bit linear PCM, 30 polyphonic. 26 varieties of ultra-real bass guitar sounds are also provided.  
     
  • Build your own drum kits
  •  
        There are 50 factory preset drum kits built-in to the MRS-1266, each with a distinctly different sound. Each drum kit is made up of 36 different drum sounds. You can also built custom kits using the faders as a drum kit sub mixer, and even add effects like EQ, reverb and chorus to individual drums. These kits can be saved and modified as you wish.  

    Interface
     
  • Comfortable logical operation
  •  
        The MRS-1266 was designed with ergonomics in mind. All the functions and buttons are logically positioned. Level meters and tracking info is displayed on dedicated back-lit displays. The inputs and outputs you use the most-guitar/bass, headphone, sub-out, expression pedal, and foot switch--are all located on the front of the chassis.  
     
  • Wide array of inputs and outputs
  •  
        The MRS-1266 has two balanced XLR terminals for low-noise mic input. Six 1/4 jacks are included for mic or line input. XLR Phantom power allows you to use high quality condenser mics. In addition to stereo RCA PIN jacks, an S/P DIF optical digital output is available, so that digital data can be transferred directly to DAT or Mini-Disk recorder. Any number of tracks can be assigned to the front panel sub-out for a separate monitor mix, or you can use the sub out for a second pair of headphones.  
     
  • Expandability
  •  
        The MRS-1266 is fully MIDI compatible. With MIDI IN/OUT you can use external MIDI devices to program the 1266's drum and bass patterns, or use MIDI out to control external devices. By installing an optional USB interface, you can access all the data on the hard drive from Windows or Macintosh computers. Data back-up and data file storage, as well as data exchanges with DAW software, can be performed smoothly.  
       
    UIB - 02
    USB Interface Board
    Windows(r), Mac OS compatible.
     
     


    FRONT PANEL





    REAR PANEL








    SPECIFICATIONS

    RECORDER

    Physical Track : 10tracks
    Virtual Track : 100(10 virtual takes/track)
    Master Track : 2tracks ( stereo ) x 10V-takes
    Drum Track : 2tracks ( stereo )
    Bass Track : 1track ( mono )
    Simultaneous Recording : 6tracks
    Recording Data Format : 16bit linear with NO compression
    Recording Time : 60track-hours
    Marker : 100 / project
    Locater : Scrub / Preview, A-B repeat
    Location Display : Hour / Min. / Sec. or Meas. / Beat / Tick
    Track Edit : Copy, Paste, Move, Erase, Exchange, Bounce, Trim, Fade in/out,Reverse, Capture / Swap, Time Stretch / Compression
    Punch In / Out : Auto / Manual
    Phrase Loop : 100phrase / project

    Phrase Edit

    :

    Start / End, Measure, Name, Level

     

    MIXER

    Input Channel : 19channels ( 13tracks + 6inputs )
    Simultaneous playback : 13tracks ( 10 audio + stereo drum + mono bass )
    Scene Memory : 100scenes / project ( Linkable to marker )
    Fader : 12 ( 1-8 mono, 9/10 stereo, Drum, Bass, Stereo Master )
    Level Meter : 10segments x 20bar ( Pre / Post fader selectable )
    Track Parameter : Equalizer, Effect send, Pan ( Balance at stereo link )
    Equalizer : High(f:500Hz-18kHz, Gain : ±12dB)
    Low(f:40Hz-1.6kHz, Gain : ±12dB)
    Effect Send : Chorus / Delay send level, Reverb send level
    Stereo Link : 1/2, 3/4, 5/6, 7/8 tracks selectable, 9/10 tracks fixed
     

    EFFECT

    Algorithm : 5types ( Guitar / Bass, Mic, Line, Dual, Mastering )
    Effect Type : 94types
    Effect Module : 4 ( Compressor, Pre-amp / Drive, EQ, Modulation / Delay )
    Max. Simultaneous Effect : 6types
    Effect Patch : 320 ( 220factory + 100blank )
    Send Return Effect : 2modules ( Reverb, Chorus / Delay )
    Send Return Patch : 40patches ( Chorus / Delay20 + Reverb20 )
    Mastering Effect : 4modules ( 3band compressor / Lo-Fi, 3band EQ, Normalize, Dimension / Resonance )
    Tuner : Auto chromatic, Calibration 435-445Hz ( 1Hz resolution )
         

    DRUM & BASS

    Data format : 16bit linear PCM
    Drum Kit : 127kits ( 50 factory + 77default )
    Drum Sound Generator : 36sounds / kit ( 12pads x 3bank )
    Bass Sound Generator : 26sounds ( each 5octaves )
    Polyphony : 30voices ( Drum + Bass )
    Drum Pad : 12velocity ( touch ) sensitive pads, self lighted
    Resolution : 48PPQN
    Odd Meter : 1/4-8/4
    Song : 10songs / project
    Pattern : 511patterns ( 403factory, 108blank )
    Maximum Bar : 999bars / song, 99bars / pattern
    Maximum note : Approx. 20,000notes(events) / song
    Tempo : 40.0-250.0
         

    Project : Maximum 1000
    Hard Disk : E-IDE / 3.5 inch 20GB
    CD-R/RW Drive : ATAPI / 5 inch bay type, Buffer Under-run Error Protection Supported
    A/D Conversion : 24 bit 64 times over-sampling
    D/A Conversion : 24 bit 128 times over-sampling
    Sampling Frequency : 44.1kHz
    Signal Processing : 24bit
    Frequency Response : 20Hz-20kHz / ±1dB(At 10k ohm load)
    S/N : 93dB(IHF-A)
    Dynamic Range : 97dB(IHF-A)
    THD+N : 0.02%(400Hz, At 10k ohm load)
    Display : 96 x 63mm original LCD(with back light)
    Guitar/Bass Input(Hi-Z) : 2 x 1/4" Monaural Phone Jack, Input Impedance 500k ohm
    Line(Unbalance) input : 6 x 1/4" Monaural Phone Jack, Input Impedance 50k ohm or more
    XLR(Balanced) Input : 2 x XLR-3-31 type, Input Impedance 1k ohm, 2nd Hot
    Phantom Power : 48V(with On/Off switch)
    Input Level : -50dBm < Variable < +4dBm
    Master Out : L/R RCA PIN Jack, Output impedance 1k ohm, Rated Output Level -10dBm
    Digital Out : S/P DIF Optical(20bit)
    Headphone Out : 1 x 1/4" Stereo Phone Jack, 50mW(at 32 ohm load)
    Sub Out : 1 x 1/4" Stereo Phone Jack
    MIDI : In/Out
    Control Input : 1 x Expression Pedal, 1 x Foot Switch
    Optional Board Slot : 1
    Dimension : 480(W) x 310(D) x 115(H)mm
    Weight : 6.8kg(with CD-R/RW drive), 5.8kg(without CD-R/RW drive)
    Power Supply:DC12V 2.5A(AC Adaptor AD-0010 specified)
    Power Consumption : 30W(12V 2A)TYP.
    Supplied Accessory : Universal AC adaptor AD-0010
    Optional Accessory : CD-01/02(CD-R/RW drive),UIB-01/02(USB interface board), FS-01(Foot switch), FP-02(Expression Pedal)
    0dBm=0.775Vrms